
欧洲的某个地方 HD中字
1948 / 其它 / 电影
状态:HD中字
扫一扫 手机免费观看更方便
《欧洲的某个地方》 HD中字
点击量 | 日:69 | 周:908 | 月:608 | 总:411
年份:1948地区:其它类型:剧情
导演:Radványi,Géza
主演:Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki
版本:1080P高清未删减完整版
更新时间:2024-08-14
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
提示:[DVD:720P标准清晰版] [BD:1080P高清无水印] [HD:超清未删减版],BD和HD版本不太适合网速过慢的手机在线观看。
故事发生在圣诞节前夕,母亲的健康突然出状况,让四名成年子女和他们令人头痛的父亲慌了手脚,面对可能即将发生的失去,家庭气氛也混乱失衡。但聪明的母亲六月处变不惊,以犀利的幽默、坦率的态度和丰沛的
影片聚焦布鲁斯·斯普林斯汀打造1982年的著名专辑《Nebraska》时期,作为年轻音乐人的他努力应对成功的压力,和令人困扰的过往。
这部犯罪喜剧片讲述刚出狱的劫匪安可,联手因童年创伤分裂出失忆人格的弟弟曼弗雷德,共赴童年老宅掘地三尺——既要挖出当年埋藏的赃款,更欲掘开尘封记忆的潘多拉魔盒
战国末期,燕、赵、楚、韩、魏、齐、秦七雄并起,惟秦国最为强大,急欲吞并六国一统天下,秦王(陈道明)因此成为六国大敌,各地不同的刺秦故事一直在上演,其中赵国刺客残剑(梁朝伟)、飞雪(张曼玉)、
2025 / 美国 / John,Elway
2025 / 法国 / 梅丽莎·博罗斯,格什菲·法拉哈尼,塔哈·拉希姆,艾玛·麦基,费尼肯·欧菲尔德,洛艾·埃尔·阿姆罗西,让-查理·克里切特,克里斯托弗·佩雷兹,安布里尼·特里戈·瓦克德,尼农·勒·亨利,法比恩·
20世纪末,长达三年前的封建体制在华夏大地已是积重难返,死期将至。最后一个封建往朝满清帝国早已不见入关时的雄姿飞扬,此时他就犹如一个百病缠身的耄耋老人,死亡的气息在他每一个部位四溢弥漫。外忧
Solomon Northup(切瓦特·埃加福特 Chiwetel Ejiofor 饰)本来是一个自由人,以演奏小提琴为生,有一个妻子和两个孩子,生活其乐融融。不料他却被两个白人以为马戏团表
在地球的最后一天,被洪水淹没的公寓中的这场奋力求生很快成为人类生存的最后希望。
老甘常年守在劳务市场靠打零工,常常无功而返。为此,正在上高中的儿子打心眼里瞧不起父亲,父子关系紧张。老甘邂逅多年的朋友老肖,为其打工,可好景不长,老肖另辟生意,于是建议老甘把车买走,可老甘没
影片讲述一个急需奇迹的家庭在偶遇自称能馈赠奇迹的老人后,陷入一系列诡谲离奇的恐怖遭遇。
本片的主人公是上田唯士(岛田铁太 饰),10岁,小学四年级。他是个普通的男孩,喜欢小动物。然而,这个“普通的男孩”恋爱了!他的心动对象是三宅心爱(瑠璃 饰)——一位热衷环保的“环保少女”。为
影片讲述1962年,汉森饰演的非裔美国数学家与斯宾瑟和梦奈两位“同事”组成智囊团,为宇航员约翰·格伦成功绕地球轨道飞行做出贡献。
生物化学专家明翰受警局顾问沃克教授推荐,协助警方调查不明水生物离奇杀人案件。开始众人都深信是鬼神之说出来害人,明瀚不以为然坚信自己的判断,随着案件的侦破,明翰得知凶手就是他寻找多年的父亲明智
该片根据Max Porter的小说《Grief is the Thing With Feathers》改编,讲述了一位父亲和他的两个年幼的儿子如何面对妻子和母亲的突然死亡,在试图重建生活的过
KANGAROO is a heart-warming story of an unlikely friendship between two strangers who will find
Troubled teens attend a Wilderness Therapy program in Utah's desert, navigating personal challe
耶~~复制成功